Review: A Girls' Guide to Winning the War

Title: A Girls' Guide to Winning the War

Author: Annie Lyons

Publisher: 30th June 2024 by Hachette Australia/Headline Review

Pages: 344 pages

Genre: General Fiction (Adult) | Historical Fiction | Women's Fiction

My Rating: 3.5 cups

Synopsis:

Can two young women, and one book, change the course of war . . .?

1940. Whip-smart librarian Peggy Sparks is determined to make sure that her brother Joe returns from the frontline to their London home, which they share with their beloved mother and grandmother. So when she is offered a once-in-a-lifetime job at the heart of the war effort, Peggy jumps at the prospect of making a real contribution to her country. 

But when she finds herself working under the fanciful socialite Lady Marigold Cecily, Peggy discovers that those around her are more keen on dancing at the Café de Paris than on ending the war. Writing accounts of her daily life is the only thing keeping Peggy's hopes alive. But when she finds her inner-most thoughts accidentally published by the Ministry of Information, Peggy realises she needs Marigold's help to save her job, and to bring her brother home . . .

From the author of The Air Raid Book Club comes a powerful tale of unexpected friendship, community and two remarkable women who change the course of the war. Full of heart, emotion and drama, it is the perfect uplifting story for fans of Kate Thompson and Natasha Lester.

My Thoughts

A Girls' Guide to Winning the War is a story of the love of family, female friendships and the power of the written word. Set during World War II readers will follow Peggy as she contributes to the war effort through the publication and writing of pamphlets and books to keep up morale on the homefront.

‘The war has offered a great opportunity to us and we would have been fools not to take it.’

Overall this is a lovely, heartwarming read about women on the home front in London and how families coped with bombings, rationing, taking on new roles and the importance of letters from loved ones at the front. The friendship between Peggy and Marigold highlights class differences and how friendship knows no bounds. 

‘Words have power, and yours have more power than most.’

This is a nice, charming story about the power of love from family and friends during challenging times. Lovers of historical fiction, particularly the changing roles of women during WWII will be most interested in this book. 

This review is based on a complimentary copy from the publisher in exchange for an honest review. Opinions expressed in this review are completely my own. The quoted material may have changed in the final release.

Review: The Briar Club

Title: The Briar Club

Author: Kate Quinn

Publisher: 18th July 2024 by HarperCollins Australia

Pages: 400 pages

Genre: Historical Fiction, Women’s Fiction, Mystery

Rating: 5 cups

Synopsis:

A haunting and powerful story of female friendships and secrets in a Washington, D.C. boardinghouse during the McCarthy era.

Washington, D.C., 1950. Everyone keeps to themselves at Briarwood House, a down-at-the-heels all-female boardinghouse in the heart of the nation’s capital, where secrets hide behind white picket fences. But when the lovely, mysterious widow Grace March moves into the attic, she draws her oddball collection of neighbors into unlikely friendship: poised English beauty Fliss whose facade of perfect wife and mother covers gaping inner wounds; police officer’s daughter Nora, who is entangled with a shadowy gangster; frustrated baseball star Bea, whose career has ended along with the women’s baseball league of WWII; and poisonous, gung-ho Arlene, who has thrown herself into McCarthy’s Red Scare. 

Grace’s weekly attic-room dinner parties and window-brewed sun tea become a healing balm on all their lives, but she hides a terrible secret of her own. When a shocking act of violence tears apart the house, the Briar Club women must decide once and for all: Who is the true enemy in their midst?

My Thoughts

When Kate Quinn has a new book out, you drop everything to read it! You are guaranteed not only a great story (her writing is out of this world) but a brilliant lesson in history as well (her research is second to none). Kate is one of my favourite writers and her latest, The Briar Club is a fascinating look at American society during the McCarthy era of the 1950s.

‘… living in a world where a push of a button could end things in one big mushroom cloud. Hard not to wonder if we took a wrong turn somewhere along the line. If we could have done better.’

This book reads somewhat differently to Kate’s previous ones - and I like it! This is very much a character based story with a murder … or two! The Briar Club is the name given to the female tenants of Briarwood House who come together on Thursday nights to share a meal and so much more. Each woman living at the house is given her own chapter and, being such a diverse group, the insight into being a woman in America at this time is eye opening. It is most definitely a slow burn with even the house being a character and providing its own voice to events. 

‘You couldn't find a more different batch of women than the Briar Club … but after so many suppers together they had somehow acquired a shared funny bone, a way of setting each other off that made the laughter contagious when the right joke caught fire.’

When readers draw near to the end and the women’s lives become enmeshed and the pace really starts to increase. Everything you’ve learned about them as individuals comes crashing together and it is here that one really appreciates Kate’s mastery as an author. Seeing how the women bonded and, individually and together, became a formidable unit. The Briar Club was Kate’s post-pandemic book and as she details in her endnotes it “erupted out of a desperate need for light, for connection, for friendship. A need (like Grace's) to gather round the table, to feed, and to fix.”

‘This is the land of second chances … She might have lost her childhood faith that it was the land of opportunity, but second chances? Yes. Opportunities were things that fell in your lap, but second chances had to be fought for - and you could always reinvent yourself in this country.’

The Briar Club is an exploration of female friendships with the burden of secrets set against the backdrop of the McCarthy era USA. The social pressures faced, particularly by women, are brought vividly to life. A slow burn tale that, under Kate’s deft authorship, comes to a thrilling climax.

This review is based on a complimentary copy from the publisher in exchange for an honest review. Opinions expressed in this review are completely my own. The quoted material may have changed in the final release.

 

Review: Every Time We Say Goodbye

Title: Every Time We Say Goodbye

Author: Natalie Jenner

Publisher: 14th May 2024 by St. Martin's Press

Pages: 336 pages

Genre: Historical Fiction | Women’s Fiction 

Rating: 4 cups

Synopsis:

The bestselling author of The Jane Austen Society and Bloomsbury Girls returns with a brilliant novel of love and art, of grief and memory, of confronting the past and facing the future.

In 1955, Vivien Lowry is facing the greatest challenge of her life. Her latest play, the only female-authored play on the London stage that season, has opened in the West End to rapturous applause from the audience. The reviewers, however, are not as impressed as the playgoers and their savage notices not only shut down the play but ruin Lowry's last chance for a dramatic career. With her future in London not looking bright, at the suggestion of her friend, Peggy Guggenheim, Vivien takes a job as a script doctor on a major film shooting in Rome’s Cinecitta Studios. There she finds a vibrant movie making scene filled with rising stars, acclaimed directors, and famous actors in a country that is torn between its past and its potentially bright future, between the liberation of the post-war cinema and the restrictions of the Catholic Church that permeates the very soul of Italy.

As Vivien tries to forge a new future for herself, she also must face the long-buried truth of the recent World War and the mystery of what really happened to her deceased fiancé. Every Time We Say Goodbye is a brilliant exploration of trauma and tragedy, hope and renewal, filled with dazzling characters both real and imaginary, from the incomparable author who charmed the world with her novels The Jane Austen Society and Bloomsbury Girls.

My Thoughts

Natalie Jenner’s debut novel, The Jane Austen Society, was a wonderful read back in 2020. She followed it up with Bloomsbury Girls, taking one of the characters from her debut novel to a London bookstore. In her latest, Every Time We Say Goodbye, Natalie takes one of the characters, Vivian, from the bookstore to post-war Italy working as a script doctor in the movies after her play is a flop in London. 

“We make the truth. We’re selling a world that doesn’t exist.” “That’s so cynical.” “What are you making, then?” “What the world could be.”

Natalie was inspired by the world famous Cinecittà movie studio in Rome that had been used as a war refugee camp in the 1940s. Set in the la dolce vita of mid 1950s Rome, the story explores a very unique time period. Lead FMC Vivian is working as a script doctor and carries her own personal war wounds wherever she goes. Her fiance disappeared in Italy during WW2 and she is searching for closure after making some life changing decisions. 

‘The only thing that will save you is perspective - and that, only the passing of time can bestow.’

Natalie does an excellent job of conveying the complexity of Italian political, economic, and cultural life in the 1940s and ’50s. From the glamour of movie actresses like Ava Gardner and Sophia Loren making cameo appearances, to the policing and censorship of some movies by the Catholic Church. In many ways the past continues to haunt from its fascist and German occupation days and deep contradictions are evident. 

‘… contradictions of Italy at work here: a former Fascist regime that had somehow shape-shifted into an ostensible democracy that was heavily influenced by a censorial church and half-heartedly administered by the police. Yet the one thing all these factions took seriously was cinema.’

The novel encompasses so much, from love and conflict, faith and censorship, war and orphans, glamour and moviemaking, fashion and food - it has to all. Whilst there is much to learn about Rome, the Church and politics of the day, in some ways it feels like a reflective piece with characters coming to terms with life after traumatic events. You don’t have to have read the previous novels to enjoy Every Time We Say Goodbye as the focus is on learning how to live after such tragedy. 

This review is based on a complimentary copy from the publisher in exchange for an honest review. Opinions expressed in this review are completely my own. The quoted material may have changed in the final release.

Review: Funny Story

Title: Funny Story 

Author: Emily Henry

Publisher: 25th April 2024 by Penguin UK - Fig Tree, Hamish Hamilton, Viking

Pages: 384 pages

Genre: General Fiction (Adult) | Romance | Women's Fiction

Rating: 5 cups

Synopsis:

A shimmering, joyful new novel about a pair of opposites with the wrong thing in common.

Daphne always loved the way her fiancé Peter told their story. How they met (on a blustery day), fell in love (over an errant hat), and moved back to his lakeside hometown to begin their life together. He really was good at telling it…right up until the moment he realized he was actually in love with his childhood best friend Petra.

Which is how Daphne begins her new story: Stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children’s librarian (that barely pays the bills), and proposing to be roommates with the only person who could possibly understand her predicament: Petra’s ex, Miles Nowak.

Scruffy and chaotic—with a penchant for taking solace in the sounds of heart break love ballads—Miles is exactly the opposite of practical, buttoned up Daphne, whose coworkers know so little about her they have a running bet that she’s either FBI or in witness protection. The roommates mainly avoid one another, until one day, while drowning their sorrows, they form a tenuous friendship and a plan. If said plan also involves posting deliberately misleading photos of their summer adventures together, well, who could blame them?

But it’s all just for show, of course, because there’s no way Daphne would actually start her new chapter by falling in love with her ex-fiancé’s new fiancée’s ex…right?

My Thoughts

I think I have to come right out and say it … I am officially an Emily Henry fan. Funny Story is a rom-com/drama about Daphne, a librarian, whose fiance leaves her for his childhood best friend, Petra. With nowhere to go, Daphne moves in with Miles, who also just happens to be the ex-boyfriend of Petra. Events would have it (… of course … that is why we read these books!) that Daphne and Miles pretend to annoy their exes by fake dating. The plot then moves to close proximity romance but rest assured, there is always much more to an Emily Henry novel than pure romance.  

‘It’s more, controlling the expectations you have for certain people. If a person lets you down, it’s time to reconsider what you’re asking of them.’

Funny Story may start with all the rom-com chuckles but romances are never all smooth sailing. Apart from dealing with being dumped, both Daphne and Miles have personal family issues that need to be faced. So while romance is what we are all about here, there are equally important personal issues to be addressed in each character's growth arc. 

‘… it matters way more that you’re present than that you’re perfect.’

What I love here is … yes, okay, Miles! He is wonderfully sweet. The respect and friendship that develops between the two is heartwarming. There are also wonderful side characters that bring depth to the story, particularly with a view to Daphne’s growth in what it is to be a friend. The fictional town of Waning Bay, Michigan is also brought to life wonderfully well - from wine bars, to beaches, to the library and coffee shops it all adds to the story. 

‘All those moments throughout the days, weeks, months that don’t get marked on calendars with hand‑drawn stars or little stickers. Those are the moments that make a life. Not grand gestures, but mundane details that, over time, accumulate until you have a home, instead of a house. The things that matter.’

Funny Story seems to veer more towards drama rather than straight out romcom which I like. With issues of family and friendships, identity and abandonment put under the spotlight it gave so much substance to an already swoon worthy plot. It is everything readers of Emily Henry have come to love - the banter, the angst and the underlying themes of being brave and embracing change. 

‘I want to know myself, to test my edges and see where I stop and the rest of the world begins.’

This review is based on a complimentary copy from the publisher in exchange for an honest review. Opinions expressed in this review are completely my own. The quoted material may have changed in the final release.